
I love my Dad. Before he retired, he was an Industrial Designer who received his degree from Syracuse University and worked all his life designing "things". As a child, I was vaguely aware of his projects, some of which he simply supervised, others he designed - interior design exhibits, hairdryers, rakes, tape measures, and noteably, the Disston cordless electric grass shear was his invention and a project which earned the company millions and netted him little or no recognition and no additional compensation.
But that was o.k. with my Dad, he hates attention, or glory, much to my mother's irritation, who, when he owned his own company gave him a plaque with "James E. Edgell, PRESIDENT" and insisted he put it on his door. After she passed away 4 years ago, he proceeded in short order to divest himself of everything he owned except for the barest of essentials, the clothes on his back and one avacado green Disston Cordless grass shear, which his new wife insisted on framing with a plaque reading " 22 million units sold" or some such thing. He lives simply, unencumbered by the desire for "stuff".
One of the his early projects in the 60's was especially memorable in my mind because Dad brought the "prototypes" home. Three beautiful bird-like sculptures in perfectly proportioned sizes, a small one in tin, the other two in brass. I don't know what happened to the tin one, but the lovely shining brass forms hung in our homes in Pennsylvania, Virginia, then Mississippi, and finally, when my mother died, they were one of the few possessions Dad kept until he remarried and they were almost tossed until I rescued them. I asked their origin - I was stunned, I knew this artist. I had studied him thoroughly in 3 separate tedious art history classes - didn't he KNOW what he had?! I bugged the heck out of Dad to write it down for me, to help me authenticate the bird's history, (and because my feeble mind could not remember the details) He finally dashed off a note to get me off his back. They have been in my basement for almost 16 months, and I'm finally getting around to hanging them in a place of honor.

I keep meaning to chase it down, to find out if they really are the prototypes for a mobile that hung in Hornes Department store in the early 60's. To see if they have value. I could really use the money. But their clean lines, and elegant beauty and simplicity remind me of my Dad, and his values. It's curious, the longer they hang in my home, the less I care about the "money" I might be able to get - even if they really ARE Alexander Calder's work and anyone on e-bay is interested. Dad would be proud of this current frame of mind... but sigh, I am my mother's child, however much I strive to be my Father's daughter...